Jennifer lopez u turn clip
Throw in gems by veterans like the Foo Fighters, 59-year-old literary country-rock artist James McMurtry, and (get yours, Eighties-metal kids) Iron Maiden, and the weekly clip of must-hear stuff was as bountiful as it’s ever been. Before U Turn is over, you are already wondering if Oliver Stone will do something else, something more important, soon. Nolte, raspy and ill-looking, is the Lee Marvin of the '90s. Perhaps most exciting was the continuous arrival of wonderful records by truth-telling women from throughout the ever-shifting global hip-hop/R&B/grime/afrobeats diaspora (with stellar releases from Jazmine Sullivan, Pinkpantheress, Dawn Richard, Little Simz, and Tems, to name just a few). Lopez makes another good impression, but this is not a performance that stands out.
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It was a fantastic year for indie singer-songwriters whose storytelling hit as hard as their guitars ( Lucy Dacus, Snail Mail) and for pop synthesists from across the Spanish-speaking world (from Afro-Cuban hip-hop fusionist Cimafunk to omnidirectional reggaeton showman Rauw Alejandro). With Sean Penn, Billy Bob Thornton, Abraham Benrubi, Richard Rutowski. The biggest curveball of all was an unstoppable chart phenomenon few saw coming a year ago: Olivia Rodrigo, who arrived out of nowhere (or at least the Disney Channel) to rewrite the rules of the Top 40 with her instant-classic debut, Sour.
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But while those blockbuster releases lived up to the industry’s ever-swelling hype, this year was often more about welcome surprises - like ornery rap visionary Tyler, the Creator meeting the world halfway with the most focused performance of his career, or Japanese Breakfast’s Michelle Zauner going from low-fi bedroom dreamer into futurist New Wave maximalist. 2021 had plenty of marquee events in the music world: Superstars like Adele, Billie Eilish, and Lil Nas X all came through with albums that deepened their stories and solidified their greatness.